A group of high school teens are targeted by a killer obsessed with music and must figure out a way to survive and take the killer down before he picks them all off.
Contains strong brutal horror violence, disturbing content, language throughout, sexual references and brief drug material.
I was torn on one aspect. There were several themes that didn't feel realistic. For example, no one ever reached out to the police, the police never found the deteriorating body in the snare drum, our antagonist felt superhuman for the first 60% (I thought you were giving him almost mystical or supernatural powers like Jason or Freddie), and everyone automatically assumed that the killer was magically cured once he was subdued. On the other hand,...
I like the lead antogonist right off the bat. Their words cut sharply and seem harmonious for a real effort at a believable and great character design. However, this focus on him seems to be the only thing sublimely in sync.
The lead antognist is easy to imagine.
However, they and even those in the intro need to be introduced even if they aren't around for long. As it gives me a sense of how to interpret the person's writing. This is import...
When a self-indulgent motivational speaker is roped into performing with his estranged daughter in the town musical, he is forced to analyze his past, his morals, and his priorities in order to reinvent himself.
The hardships Sidnie and his mother, Hattie endured during his adolescence thread themselves in his every action, paving the way for the heartbreak he goes through when he has to fly home to NY after finding out she's terminal with cancer.
Get up-to-date in industry knowledge, Scripts of the Month and more. By subscribing to our newsletter, you'll never miss the best stuff we have to offer.