With this story, I wanted to approach horror without the "monster" to better showcase the conflicting contrast between horror and insanity. If you were to see Child's Play, Jaws, or Friday the 13th, but you didn't see the Chucky, the Shark, or Freddy Kruger, would you say the fearful people are crazy are just being defensive against a threat. This is the basis I wanted to build New Orleans from; to challenge the audience's perception of true horror from the outside perspective. Enjoy!
A reclusive grief counselor in rural Maine discovers that her patients aren’t just mentally broken—they’re being hollowed out by a parasitic presence that leaves behind something that looks human but isn’t. And it’s starting to take interest in her.
A cam girl and her friend are being chased by angry gangsters, they decide to hide at her family vineyard. Will they find salvation or will the past come back to haunt them?
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