With this story, I wanted to approach horror without the "monster" to better showcase the conflicting contrast between horror and insanity. If you were to see Child's Play, Jaws, or Friday the 13th, but you didn't see the Chucky, the Shark, or Freddy Kruger, would you say the fearful people are crazy are just being defensive against a threat. This is the basis I wanted to build New Orleans from; to challenge the audience's perception of true horror from the outside perspective. Enjoy!
Humanity is threatened when a downtrodden, suicidal clown microwaves PCP as a means of escape, leaving a hodgepodge crew of ill-suited individuals to restore order.
After being dumped by his girlfriend, a down-on-his-luck alcoholic moves into an unusually affordable NYC apartment only to find out that the previous tenant isn't quite ready to leave – despite dying three years ago.
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