In Hollywood‘s current cinematic dystopia, there are no original screenplays. No hope. But all that can change in a heartbeat.
Screenblogging [ skreen-blawg ] (noun)
- A form of blog writing that utilizes the art of screenwriting.
- Writing articles in screenplay format using dialogue, characters, and storytelling elements.
INT. BURPZ PUB — EVENING
It’s crowded and loud on a Friday night. At the bar, WE SEE LEON HELVETICA, 27, nursing a fancy glass of dark beer. He looks back and sees his girlfriend, MILDRED MCNAMEY, 25, sitting with two other friends. Mildred raises her eyebrows and gives a look of impatience. Leon rolls his eyes and turns around to meet the bartender, who hands him a fancy cocktail.
LEON
Keep it open. Thanks.
Leon walks hurriedly toward the table, passing by a small stage against the far wall, where karaoke is going on. Leon hands Mildred the fancy cocktail and sits next to her. At the table are PERCY POTTS and HERBERT HARDY, who are in the middle of a heated discussion. Both are drinking cheap beer straight from the can.
PERCY
So then write a stupid comic book.
HERBERT
But what if I just like movies?
PERCY
Then watch a stupid movie. Just don’t write one.
Herbert softens.
HERBERT
Fair enough.
LEON
Wait, what are you guys talking about?
MILDRED
That new Avengers movie we saw. I mean it was still amazing, I don’t see how you can argue that.
LEON
Oh dude, are you kidding me? It was incredible!
HERBERT
Yeah, exactly. Now agree with all of us or I’ll ball my right hand into a tight fist and make you disappear. I swear I’ll do it.
Herbert slowly closes his hand.
MILDRED
Quick, there’s still time. Apologize to Robert Downey Jr. and he might ask Dr. Strange to let you use his quantum leap.
LEON
Yeah, then you can travel back in time where there was no Internet, and pay the cost of a Netflix subscription to watch one movie in some crappy theater.
PERCY
Do you think we could quantum leap back to 1993 so I can take your mom to see Jurassic Park after giving her an abortion?
Herbert stops closing his fist.
HERBERT
Wait, can we make that happen? I wanna come!
LEON
Dude, we get it. You’re an aspiring screenwriter, you like original ideas. But just because something is remade from something original doesn’t automatically put it in the suck pile.
PERCY
Look, we all appreciate cinema for what it is and always will be, right? It’s a vivid, spectacle-filled form of entertainment. All I’m saying is that these days, because of all the reboots, remakes, sequels, sequels to remade reboots…
MILDRED
Sequels to remade reboots?
HERBERT
It’s true. Just look at Spiderman: Homecoming.
PERCY
…It has become crucial, nay, imperative that we instead remind ourselves what cinema can and should be.
LEON
Which is?
PERCY
True, one-of-a-kind vision, born from the writer’s inception and brought to life before the masses.
LEON
But we have that. There’s a ton of original movies being made.
MILDRED
Yeah, Knives Out was awesome. So was that one that came out like last month on Netflix.
LEON
Atlantics?
MILDRED
No, the one we saw after we had huge fight about whether we would ever have kids, then we smoked a bowl after we made up.
LEON
Oh, Marriage Story.
MILDRED
Yes, that one!
Percy and Herbert give them a weird look.
HERBERT
You guys watched Marriage Story after you had an argument?
Mildred
Sure, I guess.
Herbert
Did you put on Blue Valentine while you’re having make-up sex?
PERCY
Wait, no one is saying original screenplays are dead. Actually, they’re constantly being produced, and the market for screenwriters couldn’t be better. What I am saying, though, is that the original screenplays that reach the masses — the ones that hit the big screen — are virtually nonexistent.
HERBERT
That is true. Jurassic Park would never see the light of day in 2020. You’d have Deadpool 5 instead.
PERCY
Okay — Children of Men. Please tell me you guys have seen Children of Men.
LEON
Yeah, what about it?
PERCY
Watch it again. But this, time, replace the children with original screenplays. That’s Hollywood today.
MILDRED
Okay that’s a little bleak. Come on.
PERCY
Yes, it’s that bleak, and I’ll prove it. Check this out.
Percy pulls up his phone and shows her a website.
PERCY
This is a list of the ten highest grossing movies for each year since 2000. Start at the year 2000, and look how the number of original movies just shrinks and shrinks until 2016, where all you see are reboots and sequels.
LEON
Let me see that.
Percy hands Leon his phone. Leon looks over the list.
LEON
Okay, top ten movies of 2016. Finding Dory, Rogue One: Star Wars, Captain America: Civil War, The Secret Life of Pets. Secret Life of Pets was original.
HERBERT
Dude, you can’t count children’s movies. You never count those.
LEON
Fine, then you have The Jungle Book, Deadpool, Zootopia.
HERBERT
Kids’ movie.
LEON
Batman Versus Superman, Suicide Squad, Doctor Strange.
MILDRED
Guess we can forget about that quantum leap
HERBERT
Damn, I was really looking forward to that date with your mom. This dystopian film industry just keeps bringing down the little guy!
LEON
So what? Hollywood’s always pretty much been this way.
PERCY
No it hasn’t. Look.
Percy touches the phone to go to another page.
PERCY
1998. You had Titanic, Armageddon, Saving Private Ryan, There’s Something About Mary, The Waterboy, Doctor Dolittle, which yes, I know that’s a remake. But keep going. Deep Impact, Rush Hour, A Bug’s Life, and Godzilla.
LEON
Dude, Godzilla’s also a remake.
PERCY
True, but it’s considered one of the worst movies of all time. And the industry wasn’t on a freaking binge of awful reboots and sequels. They were few and far between, then suddenly they start cranking out The Nutty Professor 2 and masturbating into every comic book they can get their hands on, until you had the inevitable merger between Disney and Marvel Comics.
The table goes silent, each person contemplating the knowledge that was just spoken.
PERCY
Look, back to the Children of Men example. Think of everyone as citizens in the film industry’s dystopia, where we haven’t seen an original blockbuster motion picture in ages, to the point where it seems hopeless that we’ll ever see one again. The British government in Children of Men, you know the one’s imprisoning all the refugees and executing everyone? They’re the people in Hollywood — the distributors, production companies, executives, and everyone beneath them who fall in line. Then you have the insurgents, or the terrorists, who carve out their little corners with indie films and small productions, hopelessly hoping to one day fill the executives’ shoes, but would end up falling in line and making awful reboots.
LEON
Oh, so let me guess. You’re the savior in Children of Men? you’re gonna be the first person in twenty years to be pregnant with an original screenplay.
PERCY
No, I’ll just be a victim of the epidemic. Someone who tries to get pregnant, but never has any luck. But I’ll tell you one thing. Just like in Children of Men, someone’s gotta get pregnant, right? One special person is gonna write a screenplay, and a few decent people are gonna read the rough draft and realize it’s the real deal. And if I’m lucky enough to come across that script, I will go full-on Clive Owen and help that writer deliver their baby. And if that writer successfully gives birth and if by some miracle that baby survives and is revealed to the world, then and only then, will the pendulum swing the other way, and other writers will become pregnant, and they’ll pop out amazing stories, and the film industry will finally go back to what it once was.
MILDRED
Okay, I’ll admit that was deep. Can I be in your movie?
HERBERT
Nah, someone already wrote Marriage Story.
Leon and Mildred look at each other, defeated. Leon thinks for a second, then whips out a line from Marriage Story.
Leon
Every day I wake up and I wish you were dead. Like, if I could guarantee Henry would be okay, I’d hope you get an illness, and then get hit by a car and die!
The table goes silent. Herbert is shocked. Speechless.
Percy
Okay, see that was actually a good reboot.
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