To be eligible for Screenplay of the Month, your script needs at least 2 complete reviews within the last 53 days (Dec 1, 2020).

Visit your script profile to request a review.

January Screenplay of the Month Winners

Sinnerman Ep.1 - Freedom, An Old American Art TV Series
Written By: Ben Field
Genre: Western,Crime,Drama
Bugged Feature
Written By: Timothy Boissey
Genre: Horror
The Face You Wear Short
Written By: Reevu Majumdar
Genre: Sci-Fi/Fantasy,Drama

Nomineees for Next Month

Feature Film

Awaiting Nominees. Find out how to get nominated.

Television Series

Awaiting Nominees. Find out how to get nominated.

Short Film

Awaiting Nominees. Find out how to get nominated.

In the Running

The following scripts are currently eligible for February Screenplay of the Month:

Feature Film

Chain Link (First 15)

TV Series

Past Finalists

Title Written By Month
Sinnerman Ep.1 - Freedom, An Old American Art TV Series Ben Field January - 2021
Bugged Feature Timothy Boissey January - 2021
The Face You Wear Short Reevu Majumdar January - 2021
Promise Short Christopher Doran December - 2020
Uncle Buddy Feature Timothy Boissey December - 2020
I Regret to Inform You TV Series Owen Marvin December - 2020
My Best Friend is a Toaster Feature Keith St. Lawrence November - 2020
Ruthers Short Meik V. Fischer November - 2020
Bread and Circuses TV Series Keith St. Lawrence November - 2020
Flash Flood Short D Ray Van October - 2020
Character Actor Feature Clay von Carlowitz October - 2020
The Hostel TV Series Kishan Chotalia October - 2020
Softcore Bishop TV Series Briant William September - 2020
We'll Be Safe Up There Feature Clay von Carlowitz September - 2020
Mad Talent Short Cyle Brooks September - 2020
Last One TV Series D Ray Van August - 2020
The Sleepover Short Kurtis Ratliff August - 2020
Ask Boppa Feature Andy Rice August - 2020
Have a Laugh (First Draft) Feature Cyle Brooks July - 2020
Plans are Fantasies: Episode 1 - "Pilot" TV Series Vineeth Premanand July - 2020
Reverse Psychology Short Michael Kospiah July - 2020
Honey Mustard Feature Michael Kospiah June - 2020
Plans are Fantasies: Episode 1 - "Pilot" TV Series Vineeth Premanand June - 2020
When The Bell Jangles Short Dan Harris June - 2020
Angels Can Die TV Series Kwesi Lewis May - 2020
Them Wretched Souls Feature Keith St. Lawrence May - 2020
Filthy Animal Short Michael Kospiah May - 2020
The Sacrifice Short Liam Treacy April - 2020
Mercy TV Series Anthony Richter April - 2020
The Illustrator Feature Barry A. A. Dillinger April - 2020
Malled to Death (Draft) (ACT I) TV Series Claire B March - 2020
The Sacrifice Short Liam Treacy March - 2020
Christmas Cards Feature D Scott Mangione March - 2020
Small Time Villains TV Series Michael Harris February - 2020
The Waiting Room Short David Weishaar February - 2020
Vengeance Wore Black Feature D Ray Van February - 2020
Lucky Beggars TV Series Marcin Klinkosz January - 2020
Varkazana Ascension Feature mike harper January - 2020
2econd Chance Short dragonspirit January - 2020
Ascension Feature jeff-lewis December - 2019
Wasted Life Short A J Lovell December - 2019
A Perfect One For Emma Short D Ray Van November - 2019
Alternative (Rough Draft) Feature Cyle Brooks November - 2019
Dream of Mirrors TV Series Marcin Klinkosz November - 2019
Dream of Mirrors TV Series Marcin Klinkosz October - 2019
The High life after dark Short Christine Locker October - 2019
Black Butterflies Feature Karen Hardinn October - 2019
Sex, Lies, Dinner & Dessert Short Timothy Boissey September - 2019
Westphall TV Series Keith St. Lawrence September - 2019
According to Legend Feature Keith St. Lawrence September - 2019
Unholy Union Short Christine Locker August - 2019
Operation: Anastasia Feature John Aldrich August - 2019
Singular - "Abs0lute Zer0" TV Series SL Eastwood August - 2019
Do It For Her Short Abraam Dawod July - 2019
You're Not All There Is Feature Connor Davey July - 2019
Stalemate TV Series Luke Carroll July - 2019
Gravekeeper TV Series Rindzler June - 2019
Ungifted Feature John Porter June - 2019
The Bench (working title suggestions welcome) Short Caleb Densman June - 2019
The Hobo (Draft 2) TV Series Michael White May - 2019
What We Did That Summer Feature Nick Romantini May - 2019
Man on the Phone Short Rakin Islam May - 2019
The Soft Green Claw Feature Esem Samuels April - 2019
HE IS HERE Short Tedd Luv April - 2019
Chicago Overcoat TV Series Abby LaMarre April - 2019
The Nökken Feature JoAnn Gartin March - 2019
Briarwood TV Series Abby LaMarre March - 2019
Bop Short Brent Woodroof March - 2019
What We Did That Summer Feature Nick Romantini February - 2019
Bop Short Brent Woodroof February - 2019
Lake Of Fire Draftf#4 Feature Anthony Silverwood January - 2019
Westphall TV Series Keith St. Lawrence January - 2019
SUNRISE Short Ronald Mathews January - 2019
Blind Ambition Short Renee Brown December - 2018
Jé Rouge Short Pablo Conseco Hernandez Diaz November - 2018
The Hobo TV Series Michael White November - 2018
Finding Milana Short Kyle Stout November - 2018
Bound by Blood Feature Esem Samuels October - 2018
Inner City Blues Feature Pablo Conseco Hernandez Diaz October - 2018
Internal Affairs TV Series Shawn Decker October - 2018

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Latest Reviews

Fear Love Feature
Reviewed by: Devin DeCarie

Needs a lot of work. Based off of the description you gave, I was expecting a more traditional story, with a beginning, middle, and end. I was expecting a character arc of some kind. First thing I would do is redo your concept and logline to give the reader more of a feel for what they're about to read. Let them know this is more of an experience than a traditional narrative. I get that you're going for a more artistic, avant garde, "telling the story through symbols" approach, but it didn't translate into the script very well. There were constant formatting errors that confused the scenes for me. Nevertheless, you seem to be writing with a very specific and clear vision. I have a few ideas on how you can use this script: 1) The plan that requires the least amount of work is to take the script as it is and use it as a personal guide to self-produce your vision. It doesn't have to be a live-action short film. You can make it animated or have it become a graphic novel. 2) Redo the script as a series of storyboards instead. They do this sometimes with highly visual movies, and if you can draw, I would highly recommend taking this option. 3) Go back into your script and properly format it so that you can share it with others properly. It's okay to have a specific, avant garde, artistic, highly symbolic vision, but you need to learn how to communicate that on the page. Learning how to format your ideas properly is essential and non-negotiable. 4) Throw this one out and start over. This may seem harsh, but don't think of it as a waste of time, think of it as a learning experience before your next venture. I get that you're going for a more psychedelic vibe, and that it should make the reader uncomfortable at times, but the goal is to make the reader feel disoriented WITHOUT being confused as to what they are reading. Thanks for sharing your vision with me. Best of luck.

Booksy Bear - Pilot TV Series
Reviewed by: Vaidotas Janulis

I'd definitely watch this show faithfully. Some would argue that dark and cynical characters have no place in children television, however, I'd strongly disagree. There truly are kids who do think similarly to Booksy Bear (though maybe not in big words like "society", etc) that are seeking relatable characters and solutions to the social problems they face. Most currently produced cartoons, each dumber than the last, can not provide that. Booksy Bear could. I'd say the show is like "Animaniacs", but with a more down-to-earth, relatable protagonist. It has enough loony, random action (items appearing out of nowhere, characters and objects falling etc) to keep the younger viewers interested, and brilliant psychological jokes and metahumor for ages 10+. As an adult, I loved every one of these meta jokes, but I feel like there should have been even more of them in the episode, especially during Chippy's rescue. I'd almost want to hear the bear talking to himself constantly, like, throughout the entire thing, just saying out loud whatever he's thinking. Now that would surely make the show stand out from everything else that's on TV. The story of this particular episode felt a bit generic and cliché: protagonist doesn't want to be friends with a character - villain captures the character - protagonist saves him, they become friends. But that is not really a problem for a pilot episode, where the main goal is to properly introduce all the relevant characters, which was done rather well. I did not care much for the villain in this episode, but I believe he has potential, if given more complex schemes, or if more of his friends/family members are introduced. If not, you could just focus on Chippy trying to integrate Booksy into society, show him the meaning of friendship, that stuff is fun and adorable, with endless possibilities for comedy.

Teddy Hills Short
Reviewed by: mike harper

This is a promising script with significant potential. The genre is not unique, but the story is compelling. It harks back to "Small Soldiers", "Batteries Not Included", "9 (2009)", and 80's syfy movies. Twenty-two pages of an nostalgic story. I'd recommend multi-genre storytelling. A family story, horror series, conspiracy thriller, and adventure tale all blended. DOn't forget that a good story requires character development. The brothers, Mrs. White, and the mystery of who killed the grandfather can propel these figures to our mind's empathy. The dialogue does need work. An example is when the brother inexplicably calls White a bitch. That was far rom out of the field. Strive for an emotional rollercoaster. Why did grandpa choose to embed an A.I. into a teddy bear? How advanced is the A.I.? Why is the battery capacity such an achievement? Will zero point energy be an element? Any trans-humanist concept to touch upon? Be careful to avoid the rabbit hole like what happened with the "LOST" television series that got bogged down with high-concept stories that left too many plot holes and unexplained events. What is the motivation does the A.I. have? Maybe you can go for Stephen King vibes where everything is idyllic on the surface, yet immense darkness lies behind the peaceful facade. Overall, great start! I look forward to more pages to dunk into.